Technology configured
for how you actually work.

Dynamic microphones handle untreated rooms — large-diaphragm condensers suit treated spaces. The sE V7 is the safest choice for any environment. UA Standard Series adds Hemisphere Mic Modelling — one mic that sounds like any mic in the catalogue. Warm Audio WA-87 brings classic studio character at an accessible price point.

Universal Audio Apollo interfaces add real-time UAD plug-in processing on the way in — shaping tone before it hits your DAW. The Apollo Twin X is the perfect single-user podcast interface. For 4+ guests, the Apollo x8p gives you 8 Unison preamps. M-Audio AIR 192|4 is the reliable, affordable entry point for creators on a budget.

Accurate monitoring reveals problems before your audience hears them. IK iLoud MTM MkII monitors are remarkably accurate for their size — DSP room correction means they sound right even in imperfect rooms. For headphone-only setups, Warm Audio HeadRoom headphones give a neutral, comfortable reference for long sessions.

No microphone can fix a bad room. The sE Electronics Reflexion Filter Pro wraps around your microphone to eliminate early reflections without treating the entire room. Essential for location recording, home studios, and any space without professional acoustic panels installed.

BirdDog NDI PTZ cameras deliver 4K60 video, control and power over a single Cat6 cable — eliminating the cable infrastructure that traditional broadcast cameras demand. For studio applications, Telycam's range covers fixed and PTZ configurations with NDI and HDMI outputs.

Blackmagic ATEM switchers scale from a 4-input ATEM Mini Pro for a single operator to a 40-input ATEM Constellation for full broadcast facilities. Roland V-Series mixers offer a tactile, intuitive surface for live event operators who need speed without a steep learning curve.

Vizrt's Viz Flowics brings HTML5 cloud graphics to any production — lower thirds, full-screen graphics and social media integrations that update in real time without a dedicated graphics operator. For larger broadcast facilities, Vizrt's full graphics platform delivers full CG production.

SKAARHOJ hardware panels give operators physical control over any NDI or ATEM-based system — buttons, faders and displays without the six-figure price of traditional broadcast control panels. Kiloview encoders and decoders handle simultaneous streaming to YouTube, Facebook, RTMP and CDN destinations from a single output.

The Blackmagic Pocket Cinema Camera 6K Pro shoots Blackmagic RAW at 6K with a built-in ND filter system. The URSA Mini Pro 12K is the choice for large-format productions requiring 12K Braw acquisition. Both use standard EF, B4 or PL mounts — your lens investment carries forward.

Angelbird AV PRO CFexpress and CFast cards are engineered specifically for video — sustained write speeds, thermal stability in hot environments, and a five-year warranty that matters when you're on a location in the Gulf summer. Don't skimp on media.

COLBOR LED fixtures deliver high CRI (95+) continuous lighting for cinematography — bi-colour and RGB options across a range from portable panel to large format studio fixtures. Consistent colour temperature across a full shooting day. Fanless models for silent operation in dialogue scenes.

Synco wireless microphone systems are engineered for video production — compact transmitters, reliable digital transmission, and body-pack designs that sit invisibly under costume. Marantz Professional field recorders provide backup ISO recording and a redundant audio path for any production.

Universal Audio Apollo X interfaces deliver class-leading conversion alongside the Unison preamp technology that accurately recreates the input impedance and gain staging of classic hardware. The Apollo x8p gives you 8 Unison mic preamps plus ADAT expansion. The Apollo x16D handles larger studios with 16 channels of pristine conversion.

Warm Audio's WA-47 and WA-87 faithfully recreate the circuit topology of legendary studio microphones. Manley's Reference Cardioid is the choice for engineers who want something genuinely exceptional on vocals. sE Electronics' hand-built condensers offer outstanding performance across the full range from budget to professional.

Eventide's H9000 is the most powerful effects processor ever made — algorithms that have shaped recordings for fifty years, in a rack-mount unit that integrates with any DAW. Warm Audio's analogue compressors and EQs bring real transformer-based colour to tracking and mix bus processing.

Lynx studio monitoring controllers give engineers precise level management between multiple speaker pairs and headphone outputs — essential infrastructure for a professional control room. Pair with reference monitors that suit your room size and acoustic treatment for decisions that translate to every playback system.

DaVinci Resolve Studio is the industry standard — editing, colour grading, VFX (Fusion), audio post (Fairlight) and collaboration all in one application. Available as a one-time Studio licence, or free with most Blackmagic hardware. The Blackmagic Advanced Panel gives colourists three trackballs, dedicated rings and transport controls in hardware.

SNS EVO shared storage is the foundation of collaborative post facilities worldwide. Multiple editors, colourists and audio engineers work simultaneously from the same media pool — no copying, no versioning conflicts, no waiting. ATTO technology provides the Thunderbolt-to-Fibre connectivity that links workstations to the storage fabric.

Universal Audio Apollo interfaces bring UAD processing into the audio post suite — hardware-emulated Neve, SSL and Lexicon running in real time. MOTU's AVB interfaces handle multi-channel output for Dolby Atmos and immersive audio facilities. Cedar's dialogue processing tools are used in broadcast post worldwide for de-noising and de-clicking.

Sonnet's Thunderbolt expansion systems connect any Apple Mac workstation to multiple PCIe cards — additional GPU, storage controllers and video I/O — without changing the base machine. Angelbird SSD drives provide the fast local cache storage that DaVinci Resolve needs for real-time 4K and 8K playback without a network bottleneck.

BirdDog P400 NDI cameras deliver 4K60 over a single Cat6 cable — no SDI routing infrastructure required in the van. Fibre-connected BirdDog units extend to cameras at distances of kilometres. Telycam's broadcast PTZ range provides additional robotic camera options with both NDI and HDMI outputs for venue installations.

The Blackmagic ATEM Constellation 8K handles 20 inputs and 20 outputs in a 2U rack — the entire switching capability of a traditional OB van in a box that fits under a seat. Vizrt Flowics adds real-time broadcast graphics. SKAARHOJ control panels give operators physical hardware control without the space and cost of traditional broadcast desks.

Netgear AV Line managed switches provide the low-latency, high-reliability IP networking that NDI and ST 2110 workflows depend on. Kiloview encoders handle contribution streaming back to the broadcast facility. IGMP snooping, traffic prioritisation and VLAN configuration are pre-configured for broadcast IP workflows.

Blackmagic's SmartScope Duo 4K and Blackmagic MultiView systems give operators waveform monitoring and multi-source multiviewer capability built into the ATEM ecosystem. Roland Pro A/V's V-600UHD provides an alternative mixing surface for operators who prefer a hardware-centric workflow with built-in multiviewing.

Marshall's amplifier range covers every genre and every stage requirement — from the DSL20 combo for rehearsal and small venues to the JVM410H head for full touring rigs. The Origin series brings Marshall's classic plexi circuit back in a modern, road-ready format. Every Marshall we carry is the same amplifier used on the stages of every major venue in the world.

Headrush FloorBoard and Gigboard combine amp modelling, IR-loaded cabinet simulation and effects processing in a single stage unit. Universal Audio UAFX pedals use Unison technology to capture the input impedance and preamp character of specific amplifiers — the most accurate amp modelling available in pedal format. IK AmpliTube CS brings the same quality to desktop and mobile.

Eventide's H90 Harmonizer brings fifty years of legendary Eventide algorithms — pitch shifting, harmonisation, reverb, delay and modulation — into a compact stereo effects pedal. The Sheeran Looper X and Loop X are the most intuitive looping tools available, designed with Ed Sheeran's live performance requirements as the brief. IK Multimedia's ARC System corrects monitor response in any room.

M-Audio's AIR series interfaces provide the clean, low-latency conversion that guitar direct recording demands. Native Instruments Guitar Rig Pro and KOMPLETE packages give guitarists access to the same software processing used in professional studios — without needing a studio. IK Multimedia's AXE I/O Solo is engineered specifically for direct guitar recording with jfet impedance replication.

Kiloview's E3 and N60 encoders take HDMI or SDI from any camera and output a stable IP stream for contribution. The E3 supports HEVC and H.264 encoding to RTMP, SRT, RTSP and NDI simultaneously — one device that talks to every platform. Sub-500ms glass-to-glass latency in SRT mode for live broadcast workflows that can't tolerate delay.

Kiloview D300 and D350 decoders receive incoming streams at the broadcast facility and convert back to SDI or HDMI for routing into existing infrastructure. BirdDog Studio brings NDI native decoding — incoming streams appear as NDI sources on the network, available to any NDI-capable switcher or monitor on the local network without additional routing hardware.

Synco wireless microphone systems deliver clean, reliable audio from any location — compact transmitters, stable 2.4GHz or UHF digital transmission, and receiver units that connect directly to camera or encoder audio inputs. Marantz Professional field recorders provide ISO recording backup and a redundant audio path when the primary signal chain matters most.

Netgear AV Line managed switches provide the broadcast-grade IP networking for both the field location and the receive facility. Pre-configured IGMP snooping and traffic prioritisation ensure that IP video streams take priority over other network traffic. The same switch hardware that manages an OB van also handles the venue network at remote locations.