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Blackmagic Design builds the complete production ecosystem — cinema cameras, live switchers, broadcast recorders, control panels and DaVinci Resolve, the world's most widely used post-production platform. Every product is designed to work together.
Blackmagic Design was founded in Melbourne, Australia in 2001 by Grant Petty with one conviction: the tools used to create the world's finest films and television should be accessible to every filmmaker — not just those with studio budgets. That philosophy has driven every product they have ever shipped.
The company that introduced DaVinci Resolve as a free download — democratising colour grading that had previously cost hundreds of thousands of dollars — is the same company that put a Super 35 cinema camera in a jacket pocket. The same company that makes the ATEM switchers running broadcast studios globally, and the HyperDeck recorders that became the broadcast industry standard for playout and recording.
Today Blackmagic's product range spans professional cinema cameras, broadcast switchers, disk recorders, capture cards, video routers, broadcast converters and the world's most widely used post-production software. The entire ecosystem is designed to work together seamlessly — from capture on a URSA Cine 12K LF to the final grade in DaVinci Resolve 21.
"We want to put the world's best tools in the hands of the world's most creative people — regardless of their budget."
Grant Petty · Founder & CEO, Blackmagic DesignPYXIS 12K · URSA Cine 12K LF · DaVinci Resolve 21 · HyperDeck Shuttle 4K Pro · Videohub Mini — all available through MediaCast.
Get in Touch About the New Range →Blackmagic products are the foundation of broadcast facilities, film productions, documentary crews, live event productions, houses of worship, corporate AV installations and university media programmes from Dubai to Cairo to Riyadh.
MediaCast is the authorised distributor for MENA and Türkiye — Riad is your sales specialist for Blackmagic Design across MENA and Türkiye for every product in the range.
From the URSA Cine 12K LF for feature film, to the PYXIS range for drama and content, to the Pocket Cinema Camera for independent filmmakers — Blackmagic cinema cameras deliver professional image quality at prices that have redefined the industry.
The pinnacle of the Blackmagic range — 65mm large format 17,520×8,040 RGBW sensor, 16 stops DR, 8TB media module, PL/LPL/Hasselblad mounts. DaVinci Resolve Studio included.
The world's most advanced digital cinema camera — a large format 12K RGBW sensor with 16 stops of dynamic range, internal ND filters from 2 to 8 stops, built-in EVF, dual CFast and USB-C recording. Designed for feature film, episodic drama and high-end commercial production. PL, LPL, EF and B4 lens mounts.
The URSA Cine 12K LF upgraded for cinematic live production — adds 100G Ethernet for SMPTE-2110 IP workflows, enabling 12K cinema quality over standard network infrastructure. 440fps slow motion. Same large format RGBW sensor, 16 stops DR. Announced NAB 2026.
Blackmagic's spatial video cinema camera — designed for Apple Vision Pro content. Captures full 12K spatial cinema with the same sensor as the standard URSA Cine 12K LF. The first purpose-built large format digital cinema camera for immersive spatial video production.
Full frame 36×24mm 12K RGBW sensor in a compact, versatile body. Built for drama, documentary and commercial production. 16 stops of dynamic range, EF, PL or L-Mount options, CFexpress recording with proxies. Blackmagic RAW Studio included.
Full frame 36×24mm 6K sensor with wide dynamic range, L-Mount lens compatibility, up to 50fps at 6K. Dual native ISO, internal ND filters, Blackmagic RAW with proxies to CFexpress. The most versatile PYXIS — ideal for commercial, documentary and run-and-gun production. DaVinci Resolve Studio included.
Super 35 6K sensor in a compact body — the camera that democratised professional cinema. L-Mount, 13 stops of dynamic range, built-in ND (Pro model), 5-inch touchscreen, CFast and SD recording. DaVinci Resolve Studio included. The BMPCC continues to define what independent filmmaking means.
Full frame 36×24mm 6K sensor, wide dynamic range, flexible L-Mount and optical low pass filter. Records Blackmagic RAW with proxies to CFexpress. An advanced digital film camera in a compact box-body design. DaVinci Resolve Studio included.
Blackmagic studio cameras combine broadcast-quality images with full ATEM integration — tally, talkback, camera control and return feed all over a single cable. Designed for news studios, live events, education and houses of worship.
Broadcast-first 6K Super 35 for studio, OB and live production. 2/3" B4 lens mount, swappable to EF. 12G-SDI, genlock, timecode, SMPTE fibre, dual native ISO, internal ND, ProRes and BRAW.
The ultimate compact studio camera — 6K sensor, built-in optical ND filters, Super 35 sensor and professional broadcast features including tally, talkback, PTZ control and full integration with ATEM switchers. Studio Camera 6K Pro is compact enough for any studio position yet delivers broadcast-grade image quality.
The world's smallest broadcast camera — designed to go where traditional studio cameras cannot. 4K MFT sensor, 13 stops of dynamic range, SDI and HDMI outputs, tally, talkback and full ATEM integration. Perfect for studio overhead shots, embedded positions, POV cameras and any tight space.
ATEM switchers are used in live television, news, sports broadcasts, corporate AV and educational facilities across the world. From the portable ATEM Mini Pro to the full ATEM Television Studio range — professional live switching at every scale.
The ATEM Mini family brings professional live production to any desk or table. ATEM Mini: 4 HDMI inputs. Mini Pro: streaming encoder + recording. Mini Pro ISO: records every input. Mini Extreme: 8 inputs + advanced switching. Connects to Zoom, YouTube, Twitch, Teams out of the box.
Professional SDI switching for broadcast environments. Four SDI inputs with resync, downstream keyers, SuperSource, Fairlight audio. Pro ISO records all inputs simultaneously. Extreme ISO adds 8 SDI inputs and a USB-C SSD output for archiving the full production to a single drive.
The ATEM Television Studio HD8 and 4K8 are full broadcast switchers — 8 SDI inputs, 2 M/E rows, aux outputs, built-in hardware panel and Fairlight audio with 24 faders. Used in regional broadcast stations, news organisations and live event production facilities. HD8: 1080p. 4K8: 4K.
All the features of the HD8 with complete ISO recording — records every SDI input, all aux outputs and the final program simultaneously. Built for news and sports productions that need a complete multi-camera archive alongside the live broadcast output.
ATEM Television Studio systems are deployed in sports production facilities, stadium OB trucks and at-venue broadcast positions. Full Blackmagic Camera Control, tally and integration with HyperDeck recorders make ATEM the complete live sports production system.
HyperDeck broadcast recorders are used by television stations, OB trucks and live event productions worldwide. Record to SSD in broadcast codecs, play back graphics and stings, or use the Replay system for live sports instant replay — all controlled from the production desk.
The HyperDeck Studio HD Pro records HD broadcast video to SSD in ProRes and DNxHD at up to 2160p60. Dual SSD slots for uninterrupted recording. SDI and HDMI I/O. RS-422 deck control. H.265 streaming. Front panel for direct operation. The standard for broadcast recording.
Extends HyperDeck recording to 4K — 4K ProRes and H.264/H.265 to SSD. Dual CFast and SD slots. 12G-SDI input for 4K60 capture. HDMI 2.0 output. All broadcast codecs. Full RS-422 deck control compatibility. For 4K production facilities and broadcast operations requiring 4K archive capability.
All the essentials of professional broadcast recording in a compact half-rack form factor — SDI and HDMI, ProRes recording to SD and USB-C, H.264/H.265 encoding for streaming. Front panel operation. HyperDeck Studio HD Plus is the most deployed broadcast recorder in the world.
The HyperDeck Shuttle 4K Pro is a portable USB-C SSD recorder — ideal for field acquisition, live recording and on-camera use. 4K ProRes and H.264, SDI and HDMI I/O, touchscreen interface, 3G-SDI genlock. Records to standard USB-C SSDs — available anywhere in the world.
The first dedicated broadcast replay system built into HyperDeck — instant sports replay with the full power of DaVinci Resolve. Control surface, ISO recording, instant replay at up to 4K, slow motion and highlight packages. Used in stadium OB, education sports and live sports production worldwide.
Blackmagic Design control panels span live production switching, colour grading and camera control — from the Advanced Panel's broadcast switching hardware to the Speed Editor for fast offline cutting, to the DaVinci Micro and Mini panels for professional colour work.
The ATEM Advanced Panel is the professional hardware control surface for ATEM Television Studio switchers — dual touchscreen LCDs, full M/E button row, transition controls, joystick and knobs for comprehensive live switching control. 1 M/E, 2 M/E and 4 M/E models. The standard for professional broadcast switching.
The Advanced Panel deployed in a professional broadcast production environment — concert halls, news studios, sports arenas. Built for directors who need physical control of complex live productions where software-only switching isn't sufficient.
The DaVinci Resolve Mini Panel gives colourists direct hardware control over DaVinci Resolve — three high-resolution trackballs, 12 control knobs, function keys for quickly accessing tools and a transport control. Connect via USB and get immediate hands-on colour control. The most popular entry point to professional colour hardware.
The Mini Panel in a professional colour suite alongside dual monitors — the standard workflow for broadcast colourists. Hardware control over every DaVinci Resolve page: colour wheels, curves, primary adjustments and playback. Used for commercial, broadcast and feature film colour work.
The Micro Colour Panel is the most compact DaVinci hardware controller — three trackballs, transport controls and essential keys for colour grading. Connects to DaVinci Resolve via USB. Perfect for portable colour work, on-location grading and smaller post suites.
The Speed Editor is the fastest way to cut — designed around the cut page, it combines a keyboard layout optimised for editing with a search dial for scrubbing through footage at speed. Bluetooth or USB. Includes DaVinci Resolve Studio activation. For fast offline editing on location or at a second workstation.
Controls Blackmagic cameras over an ATEM switcher — shutter, iris, gain, white balance, lift, gamma and gain per camera. Full broadcast CCU functionality via ATEM. The ATEM Micro Camera Control Panel puts live camera shading into the hands of a single operator.
Blackmagic Cloud, Videohub routers, converters, capture cards — the infrastructure that connects every part of a modern production. Share projects, route signals, convert standards, capture feeds and control everything from a single interface.
Blackmagic Cloud provides shared project libraries for DaVinci Resolve — multiple editors and colourists work on the same project simultaneously without copying media. Blackmagic Cloud Store serves as a shared NAS over the network. Cloud Sync keeps projects current across multiple sites automatically.
Blackmagic's converter and capture range bridges every signal format — Mini Converter (SDI to HDMI, HDMI to SDI, analog, optical), DeckLink capture cards for ingest and monitoring, Teranex standards conversion for format translation, and the Videohub router family for signal distribution at any scale.
A documentary production company in Dubai shoots across three countries — outdoor environments, interviews in different lighting conditions, fast-moving subjects. They need a camera system that delivers cinema quality without requiring a large crew or complex infrastructure.
PYXIS 6K gives them full frame cinema in a compact body with internal ND for any light. HyperDeck Shuttle 4K Pro captures to USB-C SSD on-camera. DaVinci Resolve handles the offline edit. Blackmagic Cloud syncs the project between the Dubai editor and the Abu Dhabi colourist.
Full frame 6K, internal ND, 13 stops of dynamic range. Works in any lighting environment without additional equipment.
USB-C SSD recording. Standard SSDs available at any electronics store worldwide.
Offline edit in Dubai. Online grade in Abu Dhabi. Blackmagic Cloud syncs the project automatically.
Riad helps with Blackmagic cinema workflows for documentary, drama and commercial productions across MENA. Ask for a workflow consultation.
Discuss Your Production →A regional news station wants to upgrade from aging SDI infrastructure to a modern live production workflow — new cameras, a production switcher, instant replay and a recording system — all integrated and controllable from a single production desk.
ATEM Television Studio HD8 ISO provides 8-input switching with full ISO recording. Three Blackmagic Studio Camera 6K Pros give 6K studio images with full ATEM camera control over a single cable. HyperDeck Studio recorders capture the programme and ISO feeds simultaneously.
Connected to the ATEM via SDI. Tally, talkback and camera control over a single cable. No separate CCU rack needed.
Switches all three cameras. Records every input to SSD simultaneously. Advanced Panel gives the director full hardware control.
Instant replay with DaVinci Resolve grading. Sports, news clips and archive — the complete broadcast recorder.
Riad helps with complete Blackmagic broadcast studio setups — cameras, switcher, panels, recorders. Full demo at MCX Dubai.
Discuss Your Studio →A Dubai post production facility is delivering a regional feature film — offline edit, online conform, VFX, colour grade and Dolby Atmos mix. The entire pipeline runs in DaVinci Resolve Studio with Blackmagic hardware panels for hands-on control throughout.
DaVinci Resolve Studio handles offline edit on the Speed Editor, online conform, Fusion VFX, colour on the Mini Panel, and Fairlight audio mix. Blackmagic Cloud keeps the project synced. Delivered to cinema and streaming simultaneously.
Fast offline cut in the cut page. Speed Editor's search dial makes assembly editing significantly faster than keyboard alone.
Full colour grade with hardware panel control. Three trackballs, 12 knobs. Wide gamut HDR delivery for cinema and streaming.
DaVinci Resolve exports DCP for cinema and H.264/H.265 for streaming directly. No third-party software required.
Riad helps spec DaVinci post facilities — hardware panels, workstations and Blackmagic Cloud storage for teams of any size.
Discuss Your Facility →
Speed Editor, Micro Panel, Mini Panel, Advanced Panel and ATEM Camera Control Panel — all in the MCX Experience Centre with Abigail, our T3 Certified DaVinci Resolve Trainer.
Book a Panel Demo →From Dubai feature films to Abu Dhabi broadcast facilities, from Cairo documentary crews to Riyadh corporate studios — Blackmagic Design products power professional production across the region. MediaCast is the authorised distributor for MENA and Türkiye, with specialist support from Riad and the team.
Whether you're a cinematographer choosing between URSA Cine and PYXIS, a broadcast engineer specifying ATEM infrastructure, a colourist evaluating DaVinci panels, or a facility manager planning a Blackmagic Cloud deployment — Riad provides the advice and MediaCast provides the products.
Talk to Riad →Authorised distributor. Full product range. Certified training. On-site demonstration at MCX. Project pricing for integrators. Riad is the dedicated Blackmagic specialist for MENA and Türkiye.
MediaCast is the only Blackmagic Design Certified Training provider in MENA and Türkiye. Sessions are held at the MCX Experience Centre, The ONE Tower, Dubai — led by Abigail Young, a Blackmagic Design Certified Trainer at the T3 level, the highest certification available.
DaVinci Resolve training covering editing, colour grading, Fusion VFX and Fairlight audio. Group sessions, private one-to-one training and corporate packages available. CPD-certified. Open to industry professionals, students and facilities.
MediaCast is building its network of associated DaVinci Resolve trainers across MENA and Türkiye. If you hold a Blackmagic Design certification and want to deliver training through the MCX platform, contact Alaa.
Enquire About Association →Abigail is MediaCast's resident DaVinci Resolve trainer — the highest level of Blackmagic Design certification. She delivers group, private and corporate training sessions at MCX Dubai.
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Alaa handles all training enquiries and trainer association requests — whether you want to book a session, arrange group training for your team, or enquire about joining MediaCast as an associated DaVinci Resolve trainer.
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Get pricing, arrange a demo at MCX, or ask which product is right for your production. Riad handles all Blackmagic Design sales across MENA and Türkiye.
All Blackmagic Design sales enquiries for MENA and Türkiye — cameras, switchers, recorders, post production.
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